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Morton Subotnick ：ウィキペディア英語版

Morton Subotnick

Morton Subotnick (born April 14, 1933, in Los Angeles, California) is an American composer of electronic music, best known for his ''Silver Apples of the Moon'', the first electronic work commissioned by a record company, Nonesuch. He was one of the founding members of California Institute of the Arts where he taught for many years.
Subotnick has worked extensively with interactive electronics and multi-media, co-founding the San Francisco Tape Music Center with Ramon Sender, and often collaborating with his wife Joan La Barbara. Morton Subotnick is one of the pioneers in the development of electronic music and multi-media performance and an innovator in works involving instruments and other media, including interactive computer music systems. Most of his music calls for a computer part, or live electronic processing; his oeuvre utilizes many of the important technological breakthroughs in the history of the genre.
==Early career==

Subotnick graduated from the University of Denver. In the early 1960s, Subotnick taught at Mills College and with Ramon Sender, co-founded the San Francisco Tape Music Center. During this period he collaborated with Anna Halprin in two works (''the 3 legged stool'' and ''Parades and Changes'') and was music director of the Actors Workshop.
In 1966 Subotnick was instrumental in getting a Rockefeller Grant to join the Tape Center with the Mills Chamber Players (a chamber at Mills College with performers Nate Rubin, violin; Bonnie Hampton, cello; Naomi Sparrow, piano and Subotnick, clarinet). The grant required that the Tape Center relocate to a host institution that became Mills College. Subotnick, however, did not stay with the move, but went to New York with the Actor’s Workshop to become the first music director of the Lincoln Center Rep Company in the Vivian Beaumont Theater at Lincoln Center. He also, along with Len Lye, became an artist in residence at the newly formed Tisch School of the Arts at NYU. The School of the Arts provided him with a studio and a Buchla Synthesizer (now at the Library of Congress). During this period he helped develop and became artistic director of the Electric Circus and the Electric Ear. This was also the time of the creation of ''Silver Apples of the Moon'', ''The Wild Bull'', and ''Touch''.

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